A two-bedroom villa at Naman Retreat, Da Nang. The resort occupies a beachfront site between the city and Hội An, and the villas are designed as low-rise concrete and glass structures set in landscaped grounds directly on the beach.
The design language is spare and consistent: flat roofs, floor-to-ceiling glazing on all sides, slatted wood ceilings, and a restricted material palette of white-lacquered cabinetry, raw concrete, dark stone, and walnut. The villa includes a private pool with a pergola structure, an outdoor lounge with a built-in concrete daybed, a full kitchen open to the living and dining area, and two bedrooms. The art program is integrated throughout — unglazed ceramic vessels from the Cham pottery tradition are displayed across a dedicated wall of shelving in the kitchen; original works on canvas and paper are hung in the bedrooms.
The bathroom is notable for its materiality: a rough-faced stacked stone wall, white freestanding tub, chrome floor-mount faucet, recessed wood niche, and live plants — a genuinely resolved composition.
